🎨 Arts & Creation

✍️Novelist

The maker of book-length fiction, from Murasaki Shikibu's Heian court to the Kindle's self-publishing flood — a trade with no license, no ladder and no retirement age.

Also called: Fiction writer · Author

A writer's desk with a manuscript, notebook and pen — the working surface of a novelist.
Sass, Moscow. · Public domain

Quick facts

~£7k/yr (UK, 2022)Median author income
None, anywhereLicense required
Tale of Genji, c. 1010Often-cited first novel
Agatha Christie, ~2BBest-selling novelist
121 (1901–2024)Nobel literature laureates
Often 5–10 yrsTypical debut timeline

A novelist writes book-length fiction, and has done so for far longer than English has had a word for it. Murasaki Shikibu, a lady-in-waiting at Japan's Heian court, completed The Tale of Genji around 1010 — fifty-four chapters of psychologically exact fiction, six centuries before Cervantes published Don Quixote in Madrid in 1605. The trade she founded still has no license, no governing body and no required degree: anyone may begin, which is exactly why finishing is what distinguishes.

It is also one of the most financially unequal professions on this site. The UK's ALCS survey found a median income of about £7,000 for primary-occupation authors in 2022, down roughly 60 percent in real terms since 2006, while a handful of brand-name novelists earn millions a year. Most working novelists therefore keep a second occupation — teaching, journalism, medicine — and write in the hours around it, as Anthony Trollope did at his desk from 5:30 each morning before his Post Office job.

This page follows the trade from the Greek romances and Genji through serialization, the sixpenny paperback and the Kindle; how people actually become novelists today, with or without a creative-writing degree; the craft techniques practitioners genuinely pass on, from Trollope's quota to Nabokov's index cards; eight figures who defined the form across seven countries; and how much of the work large language models can realistically absorb — a sharper question for this profession than for most.

The profile

622812974274
  • Resists AI62
  • Pay28
  • Barrier to entry12
  • Autonomy97
  • Demand42
  • Impact74

How exposed is it to AI?

38 / 100

Moderate

A real share of paid fiction work — strictly formulaic series prose, work-for-hire content, first-pass translation and the marketing apparatus around books — is already automatable, and income at the commodity end will keep eroding. The core of the trade resists: a novel readers seek out by its author's name, grounded in lived witness and formal originality, with a person who can stand behind it in interviews, prizes and law. Roughly a third of the job's task-mix is exposed; the signature is not.

AI & The Future →

Seven ways into this profession

Frequently asked questions

Do you need a degree to become a novelist?
No. Novel-writing is one of the few skilled professions with no required credential anywhere in the world: no license, no exam, no mandatory degree. Creative-writing programs like Iowa's Writers' Workshop or the University of East Anglia's MA can compress the apprenticeship and supply contacts, but published novelists have come from medicine, law, insurance, the merchant navy and no formal education at all.
How long does it take to write a first novel?
Drafting a publishable novel typically takes one to four years, but the apprenticeship before it — reading deeply, writing abandoned manuscripts and short fiction — commonly runs five to ten. Many celebrated debuts were their author's second or third completed manuscript. Traditional publication then adds another one to two years between a signed contract and the book appearing in shops.
How much do novelists actually earn?
Far less than the famous outliers suggest. Surveys put the median at about £7,000 a year for professional UK authors (ALCS, 2022) and roughly $20,000 in writing-related income for full-time US authors (Authors Guild, 2022 data). Typical literary debut advances run $5,000–$15,000, paid in installments. A small minority of bestsellers earn six figures or more; most novelists rely on other work.
What does a literary agent do, and do you need one?
An agent sells a manuscript to publishers, negotiates the contract and rights — translation, film, audio — and takes a commission, customarily 15 percent. The big New York and London houses generally do not read unagented submissions, so for traditional publishing in English an agent is a near-requirement. Self-publishing, small presses and many non-Anglophone markets work without one.
Is self-publishing a real path or a last resort?
Since Amazon opened Kindle Direct Publishing in 2007 it has become a genuine parallel industry, strongest in genre fiction. Andy Weir serialized The Martian free online, sold it as a 99-cent ebook, and landed a Crown deal and a film option; the 2015 movie grossed over $600 million. The trade-off is that the author does the publisher's whole job — editing, covers, marketing — alone.
Will AI replace novelists?
Parts of the surrounding work, yes: large language models already draft serviceable formula prose, and Amazon began requiring AI-content disclosure in 2023 after a flood of machine-written uploads. But readers buy named human authors — their voice, history and witness — and form attachments that last decades. The novel that defines a form, rather than imitating one, remains stubbornly human work.
What was the first novel ever written?
It depends on the definition. Greek and Roman prose fiction — Chariton's Callirhoe, Apuleius's The Golden Ass — dates to roughly the first two centuries CE. The Tale of Genji, completed around 1010 in Japan by Murasaki Shikibu, is the most common answer for the first psychological novel. Don Quixote (1605) is the usual candidate for the first modern one. Scholars enjoy the argument.
How long should a novel be?
Adult trade fiction usually runs 70,000–100,000 words; the informal floor separating a novel from a novella sits around 40,000, the threshold used by the Hugo and Nebula awards. Epic fantasy and historical fiction stretch well past 120,000 words, while celebrated short novels — The Great Gatsby is about 47,000 — prove length is a convention of the market, not of the art.

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