Novel1844
Martin Chuzzlewit
Charles Dickens
Dickens's Sairey Gamp — drunken, self-dealing, as ready to lay out a corpse as to nurse a patient — was so vivid that 'Gamp' entered the language, and the caricature became a standing argument for Victorian nursing reform. Nightingale's generation defined itself explicitly against her.
Novel1929
A Farewell to Arms
Ernest Hemingway
Catherine Barkley, the British nurse at the novel's center, was modeled on Agnes von Kurowsky, the American Red Cross nurse who cared for the wounded 19-year-old Hemingway in Milan in 1918 — fixing the wartime nurse as a romantic archetype in twentieth-century fiction.
Film1975
One Flew Over the Cuckoo's Nest
Miloš Forman, from Ken Kesey's novel
Nurse Ratched, the coldly controlling psychiatric ward tyrant played by Louise Fletcher in an Oscar-winning performance, became cinema's most notorious nurse — the American Film Institute later ranked her the fifth-greatest screen villain of all time, the dark inversion of the angel stereotype.
TV series1996
Leave It to the Nurses (ナースのお仕事)
Fuji TV, starring Arisa Mizuki
One of Japan's most popular workplace comedies followed the accident-prone young nurse Izumi Asakura through ward life across four seasons and a feature film, shaping a generation of Japanese viewers' picture of hospital nursing as ordinary, funny, exhausting work rather than melodrama.
Film1996
The English Patient
Anthony Minghella, from Michael Ondaatje's novel
Hana, the young Canadian army nurse who stays behind in a ruined Italian villa to care for a dying burned man, put the moral weight of palliative nursing at the center of a film that won nine Academy Awards, with Juliette Binoche taking Best Supporting Actress.
TV series2012
Call the Midwife
Heidi Thomas, from Jennifer Worth's memoirs
Based on the memoirs of a real district nurse-midwife working in London's impoverished East End in the 1950s and 60s, the BBC series became one of British television's most-watched dramas — rare in showing nursing and midwifery as the story's engine rather than its background.