Franz Ferdinand
His assassination in Sarajevo on 28 June 1914 was the spark, not the powder. He had been a cautious voice on some South Slav questions.
Died
3
Place
3
Role
3
Haig, Foch, Pershing, Hindenburg and Kemal are the usual command portraits. Poets and nurses entered the iconography later, through school.
Women munitions workers ("munitionettes") are now a standard museum subject in Britain; they were controversial in 1916.
People
Helmuth von Moltke the Younger
Moltke modified the prewar western plan and lost control in the 1914 campaign; he was sidelined after the Marne.
Peak
3
Front
3
Fate
3
Douglas Haig
Haig commanded the British Expeditionary Force from 1915. The Somme and Passchendaele made him a lasting argument in British memory -- butcher or necessary attritionalist.
BEF
3
Battles
3
After
3
Erich Ludendorff
With Hindenburg he ran Germany's late-war military dictatorship, then the 1918 offensives, then helped invent the stab-in-the-back story.
Peak
3
Offensives
3
After
3
Woodrow Wilson
Wilson took the US to war in 1917, issued the Fourteen Points, and failed to get the Senate to join the League of Nations.
War
3
Programme
3
Defeat
3
Georges Clemenceau
Clemenceau ("the Tiger") drove a hard peace at Versailles after France's demographic wound. He wanted security guarantees more than Wilsonian language.
Premier
3
Role
3
Aim
3
Mustafa Kemal Ataturk
Kemal's defence at Gallipoli made his name; he later overturned Sevres and founded the Turkish Republic after Lausanne (1923).
Gallipoli
3
Later
3
Treaty
3
Wilfred Owen
Owen was killed on 4 November 1918, a week before the armistice. His poems became the English classroom voice of the war.
Died
3
Rank
3
Canon
3
Debate
German war guilt
Fritz Fischer's thesis and its critics still structure the "who started it" argument; most scholars now reject a single-villain cartoon without erasing German agency in July 1914.
Haig and attrition
Was the Somme a necessary wearing-down or a preventable slaughter? The argument is as much moral as operational.
Memoirs by generals and by Graves, Barbusse and Junger still set the tone of argument.
Statues put up in the 1920s are now themselves historical artefacts -- including those later pulled down or contextualised.