Empty-wall reports, 22 August 1911
Press
Paris papers and police notices fix the discovery date and the Salon Carré location. They are the opening exhibit.
The empty Salon Carré, the Florence authentication, Peruggia's conviction and the 1914 return.
The object was recovered and matched. That is a stronger close than Gardner or Antwerp.
What is thinner is the exact list of any helpers — a side question that does not unpick the conviction.
Press
Paris papers and police notices fix the discovery date and the Salon Carré location. They are the opening exhibit.
Object
Poggi's examination and the Louvre's later confirmation identify the Florence panel as the missing Leonardo.
Document
The dealer's contact with the man offering the picture is the recovery path. It is a paper trail, not a vault tale.
Court
Peruggia's conviction and short sentence are the legal close. Patriotic speeches did not become title.
Testimony
The poet's arrest and release document a famous false lead, useful as a caution, not as a second thief.
Document
Louvre receipt of the panel in January 1914 ends the missing-object half of the dossier.
Peruggia was convicted; the object was in his offer path.
Authenticated in Florence and returned to the Louvre in January 1914.
Rumours of masterminds have not replaced the Florence dock.
The mass celebrity of the smile is the best-documented cultural result.
Evidence returned a painting and convicted a man. The rest is celebrity history.
Public-record encyclopedia. Not legal advice. Not a how-to. Graphic detail is withheld. Wars belong in a separate atlas.