Automated minilab machines put a complete color darkroom in shopping malls and pharmacies, and by the 1990s tens of thousands of one-hour photo counters worldwide employed technicians who calibrated chemistry, corrected color and printed the world's family snapshots. Digital cameras and home printing collapsed film volume within a single decade of 2000; the surviving remnant prints from files, and the trade of judging a negative by eye is effectively gone.
One-hour photo lab operator no longer exists as a living trade. Here is what erased it, and which profession took on the work.
Photography for everyone
Dry plates freed photographers from portable darkrooms; halftone printing put photographs directly into newspapers from the 1880s; and George Eastman's roll-film Kodaks handed picture-making to amateurs. Professionals responded by specializing — press photography, advertising, society portraiture — while pictorialists fought a parallel battle to have photography accepted as art at all, a claim critics like Baudelaire had dismissed since 1859. The professional's monopoly on making images was gone; the monopoly on making them well was not.
What else was happening then
Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour found Magnum Photos as a cooperative owned by its photographers, with the radical rule that members keep copyright in their own negatives — inverting the industry standard in which publications owned everything a staffer shot.
Kodak engineer Steven Sasson assembles the first self-contained digital camera: 3.6 kilograms, 0.01 megapixels, 23 seconds to write one black-and-white image to cassette tape. Management, protective of film revenue, shelves it — a decision that haunts the company into its 2012 bankruptcy.
Instagram launches in October 2010 and reaches a hundred million users within three years; Kodak, the company that invented both the amateur snapshot and the digital camera, files for bankruptcy protection in January 2012. Humanity's photographic output climbs toward two trillion images a year, the overwhelming majority taken on phones.
Where that work lives now
The person paid to decide what a moment looks like — from Niépce's eight-hour exposure in 1826 to two trillion pictures a year, most taken by everyone else.
📷 Photographer →