Snooker in 12: Clearing the colours

Joe Davis with 15 (1927-1946); Ronnie O'Sullivan and Stephen Hendry share the modern record of 7 What makes it distinctive is that failure is public and total. There is no clock, no teammate and no hiding place: a missed pot hands the table to a player capable of clearing it, so a single loose shot can cost a frame outright. That asymmetry produces snooker's second language, safety play, in which two professionals can trade twenty defensive shots without either attempting a pot, each trying to leave the other with nothing. The tension of that exchange, played in near silence in a 980-seat theatre, is why the sport translated so unexpectedly well to television.

Its geography is changing fast. Britain and Ireland supplied almost every champion for a century, and Sheffield still hosts the world final over four sessions and two days. But China now sends more players to the professional tour than any country except England, Zhao Xintong became the first Asian world champion in 2025, Belgium's Luca Brecel had broken the British monopoly two years earlier, and Saudi Arabia has bought its way onto the calendar with the richest event outside the World Championship. A 128-player tour that was once a British television curiosity is now a genuinely global circuit.

The object of a frame is to score more points than your opponent by potting balls in a fixed order. Reds are worth one point each and stay down once potted; the six colours are worth two to seven and are returned to their spots until the last red has gone. A player keeps the table for as long as they keep potting the correct ball, so the game is less about single shots than about sequences — the break — and the ability to leave the cue ball in the right place for the next one.