Sandalwood did not arrive as one bottle. The timeline below keeps Grasse, Guerlain, Chanel, Nahéma and IFRA as proper names, not metaphors.
Read the years as a map of trade and reformulation, not as a ranking of beauty.
Timeline
- Chandan
Indian sandal in sculpture, paste and medicine; the wood is the culture.
- Kannauj attars
Deg-bhapka into a sandal receiver — rose, kewra, jasmine ride the wood.
- Bois des Îles
Chanel puts sandal under aldehydes.
- Samsara
Jean-Paul Guerlain’s jasmine-sandal temple at late-extraît volume.
- Mysore crisis
Overharvest and regulation empty the classic album pipeline.
- Tam Dao
Diptyque’s temple woods as a European sandal memory.
- Santal 33
Le Labo’s pickle-cedar-sandal; a city uniform.
- Album controls
S. album trade controls push Aussie spicatum and synthetics.
- Javanol years
Givaudan’s molecule becomes the “sandal” in most briefs.
- Plantation album
Australian and Pacific S. album as a legal luxury story.
The eras
- Paste and attar — Sandal as religion, carving and still-bed.
- Couture milk — Chanel and extras use album as a luxury fat.
- Temple marketing — Samsara and niche temples; harvest already failing.
- Crisis and Santal 33 — Synths and a pickle-wood hit redefine the note.
- Plantation + Javanol — Legal woods and molecules as the real supply.
Milestones
- Kannauj sandal bed — A technology: the wood is the solvent.
- Samsara, 1989 — Mass-luxury sandal as spirituality and cream.
- CITES + Javanol — The note survived by becoming partly synthetic.
Sandalwood keeps moving; the other six chapters say what one date cannot.
Origins & milestonesNotes & accordsCraft & methodCulture & meaningIcons & legendsHow to wearMarket & bottles