Ulrich Salchow
Dick Button
Stat by stat
Bars are scaled to the leader in this list.
The verdict
Dead even across the measured categories. Our all-time ranking places Ulrich Salchow at #4 and Dick Button at #5.
The case for Ulrich Salchow
The first great champion of organised figure skating, and the only skater whose name is spoken thousands of times a day in every rink on earth. Salchow won ten world titles between 1901 and 1911, still the men's record more than a century later, and nine European championships between 1898 and 1913. He took the Olympic title at the 1908 London Games, where figure skating became the first winter sport ever contested at an Olympics. In 1909 he performed the edge jump that carries his name, a take-off from the back inside edge with no toe assistance, which remains one of the six jumps in the modern repertoire and is the entry point for most skaters' first triple and first quadruple. He was also an administrator of consequence, serving as ISU president from 1925 to 1937 and shaping the rules of the sport he had just finished dominating. Whatever era adjustment one applies, no man has won more world championships.
The case for Dick Button
The man who turned figure skating from a drawing exercise into an athletic event. Button won two Olympic titles, at St. Moritz 1948 and Oslo 1952, five consecutive world championships from 1948 to 1952, seven straight United States titles, and the 1948 European Championship, the only non-European ever to win it before the ISU closed the event to outsiders. He landed the first double Axel in competition at the 1948 Olympics and the first triple jump of any kind, a triple loop, at Oslo in 1952, and invented the flying camel spin still known in some rinks as the Button camel. He retired at 22, took a Harvard law degree, and then spent nearly five decades as American television's voice of the sport, winning an Emmy and shaping how tens of millions of casual viewers understood what they were watching. No skater has combined technical invention, competitive dominance and long-term influence over the audience quite so completely.