Painter in 000: The Sulawesi warty pig
The work of Painter is summarised as 000’s “The Sulawesi warty pig.” The figure beside that summary is 45. A salary line in a job advert is not the job. It is also one of the least regulated. No country licenses painters; there is no exam, no residency, no board. What controls entry instead is a chain of human judgments — art-school portfolio reviews, jury selections, a
No — painting has no license anywhere, and history is full of successful painters who trained outside schools: Vincent van Gogh was largely self-taught, and China's Qi Baishi learned by copying a borrowed painting manual by lamplight. But most gallery-represented painters today hold a BFA or MFA, and university teaching posts — the trade's steadiest salary — effectively require an MFA.
How do painters actually make money? By stacking income streams: gallery sales, typically split 50/50 with the dealer; direct sales and commissions; prints and editions; teaching; grants and residencies; and, for many, unrelated day jobs. Surveys in the UK, Germany and Australia repeatedly find that income from artwork alone averages well under a living wage, which is why almost every working painter runs several streams at once.
What does a gallery do, and what cut does it take? The standard commercial-gallery split is 50 percent of each sale, worldwide. In exchange the gallery pays for exhibition space, openings, art-fair booths that can cost tens of thousands of dollars, promotion, and — most valuably — access to its collector list. Most galleries take work on consignment rather than buying it, so the painter is paid only when a piece actually sells.
Say Painter with 000, “The Sulawesi warty pig,” and 45. Pay does not replace those three.000
Figures to keep
- Year of the account
- 000
- Figure from the work
- 45
- Occupation
- Painter
- The task line
- The Sulawesi warty pig
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