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The work itself

Painter in 000: The Sulawesi warty pig

The work of Painter is summarised as 000’s “The Sulawesi warty pig.” The figure beside that summary is 45. A salary line in a job advert is not the job. It is also one of the least regulated. No country licenses painters; there is no exam, no residency, no board. What controls entry instead is a chain of human judgments — art-school portfolio reviews, jury selections, a

No — painting has no license anywhere, and history is full of successful painters who trained outside schools: Vincent van Gogh was largely self-taught, and China's Qi Baishi learned by copying a borrowed painting manual by lamplight. But most gallery-represented painters today hold a BFA or MFA, and university teaching posts — the trade's steadiest salary — effectively require an MFA.

How do painters actually make money? By stacking income streams: gallery sales, typically split 50/50 with the dealer; direct sales and commissions; prints and editions; teaching; grants and residencies; and, for many, unrelated day jobs. Surveys in the UK, Germany and Australia repeatedly find that income from artwork alone averages well under a living wage, which is why almost every working painter runs several streams at once.

What does a gallery do, and what cut does it take? The standard commercial-gallery split is 50 percent of each sale, worldwide. In exchange the gallery pays for exhibition space, openings, art-fair booths that can cost tens of thousands of dollars, promotion, and — most valuably — access to its collector list. Most galleries take work on consignment rather than buying it, so the painter is paid only when a piece actually sells.

Say Painter with 000, “The Sulawesi warty pig,” and 45. Pay does not replace those three.000

Figures to keep

Year of the account
000
Figure from the work
45
Occupation
Painter
The task line
The Sulawesi warty pig

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